Thursday, May 6, 2010

JOSE ANTONIO TENENTE by Fashion Heroines

Note: English version of the interview on the post below.

Estava uma manhã perfeita para uma conversa com um dos amores do Fashion Heroines. O mar que ele tanto adora estava um espelho e a praia foi o fundo mais-que-perfeito da nossa viagem até ao atelier, em Cascais, de um dos nomes incontornáveis da moda portuguesa.


José António Tenente recebeu-nos com a simpatia e a disponibilidade que lhe são naturais ( ele disse-nos que era timido mas nós não demos por nada), foram duas "curtas" horas de interessante conversa que nos levou ao universo do designer, recordações de infância (poucas), a sua trajectória profissional e pessoal, conceitos de vida, inspirações e aspirações... entre muitos outros temas.

Adaptada do "Proust Questionnaire" (adaptação nossa) aqui fica a entrevista a José António Tenente, não mais do que a polpa da frutuosa conversa com a editora do Fashion Heroines.

FASHION HEROINES: Qual é o seu actual “State of mind”?

JOSÉ ANTÓNIO TENENTE: Neste momento algum cansaço, mas, positivo sempre.

FH: Onde e quando é que se sente feliz?
JAT: Na praia.

FH: Qual o seu maior medo?
JAT: Não é uma coisa que me persiga, nem vivo obcecado com isso, mas, perder faculdades, nomeadamente, mentais é algo que me aflige.

FH: O que é que o faz rir?
JAT: Muita coisa. Gosto imenso de rir e de me divertir. A publicidade faz-me rir e algumas séries de humor também. Assim como conversas entre amigos. Não é muito difícil fazer-me rir.

FH: Qual a figura histórica com que mais se identifica?
JAT: Essa é difícil! Pode haver determinadas figuras históricas que pontualmente podemos admirar, mas, não me identifico particularmente com nenhuma.

FH: Qual considera ser a melhor invenção de todos os tempos?
JAT: É difícil resistir a dizer que foi a internet. “Googlar” faz parte das nossas rotinas diárias.

FH: Qual o defeito que mais detesta nos outros?
JAT: Não suporto a má educação.

FH: Qual é a sua maior extravagância?
JAT: Não fazer fretes.

FH: Qual a ocasião em que costuma mentir?
JAT: Sem pretensões não costumo mentir. Talvez algumas mentiras inofensivas que se inventam quando nos atrasamos a dar uma resposta e temos que nos justificar.



FH: Se pudesse mudar algo em si o que seria?
JAT: Em termos físicos muita coisa, e sem ter que ir ao ginásio (risos). Das minhas características mais complicadas já fui mudando bastante e que é a minha timidez. Foi das coisas boas que esta profissão me trouxe. Ela obrigou-me a adaptar-me a um certo registo de exposição e tive que aprender a lidar com isso. Mas, ainda hoje erradicava completamente esse lado de mim.

FH: Onde é que gostaria de viver?
JAT: No registo urbano gosto muito de Lisboa, mas, há outra cidade onde não me importava nada de viver que é Paris, e não é por causa da moda. Noutro registo viveria perfeitamente na Costa Alentejana, ao pé da praia.

FH: Qual a qualidade que mais o inspira numa mulher?
JAT: Nas pessoas em geral a verdade, honestidade, justeza, esses princípios muito básicos que têm a ver com a educação. A um nível mais exterior algo que passa pela elegância natural que não seja muito construída nem de capa de revista que não me inspira nada.

FH: Qual é o carro da sua vida?
JAT: Não tenho carta sequer (risos). Mas para mim é o Citroën DS “boca-de-sapo”. É lindo!

FH: Qual considera ser o seu grande feito na vida? Aquele de que mais se orgulha?
JAT: Orgulho-me de ter construído este percurso num país muito adverso para as actividades criativas, sem tradição no design de moda, e especialmente, se recuarmos aos em meados dos anos 80 quando comecei, com a Ana Salazar como único exemplo na moda de autor. Mesmo a um nível mais pessoal foi um feito ter chegado até aqui, já que quando comecei nem me apercebia bem do que era ser designer de moda e da exposição pública que isso iria acarretar, senão talvez nem me tivesse atrevido. Considerava que o meu trabalho bastava, mas, com o passar dos anos percebi que tinha que alterar essa atitude e que era necessário divulgá-lo, aparecer, dar entrevistas, promover os produtos. Devido à minha timidez foi uma luta difícil e no início da carreira, não poucas vezes passei por mal-educado e arrogante. Confesso que não penso muito nisto, e talvez nunca tivesse abordado esta questão do ‘grande feito’, mas na verdade agora que me obrigou a fazê-lo (risos), acho mesmo que foi uma vitória pessoal ter aprendido a lidar com a exposição pública com naturalidade.

FH: Qual é o maior tesouro que possui?
JAT: Os meus princípios.



FH: O que é para si a mais profunda miséria?
JAT: Excluindo o plano material no qual a miséria não devia obviamente existir, penso que estar completamente perdido, alheado de uma direcção, de não saber o que se fazer com a vida que se tem, de se deixar enredar em dependências, pode na verdade conduzir a um estado de ‘miséria’. O que é uma pena, pois, há pessoas com um potencial incrível que se perdem.

FH: Quais são os seus heróis na vida real?
JAT: O cidadão comum. Pessoas que ganham pouco, que têm vidas difíceis, que se levantam às cinco da manhã, atravessam a cidade para ir trabalhar, têm não sei quantos filhos e ainda assim conseguem ser felizes.

FH: E na banda desenhada qual é o seu herói?
JAT: Astérix

FH: Uma figura que o inspire?
JAT: Tantas... Lembro-me de a nível do meu trabalho ter começado várias colecções a partir de personagens históricos, compositores… O Inverno 06.07 trabalhamos um universo de imagens ligadas a Joana d’Arc. No Veão 2002 inspiramo-nos no romance epistolar de Choderlos de Laclos, “Ligações Perigosas”, (1782), nomeadamente, no triângulo amoroso entre a Marquesa de Merteuil , Visconde de Valmont e Madame de Tourvel . São apenas alguns exemplos, entre tantos outros, de personagens que inspiraram directamente o meu trabalho.



FH: O que é que mais o desgosta na cultura contemporânea?
JAT: O consumo fácil, a sua rapidez e voracidade que dá origem a que não se desfrute verdadeiramente o que os outros fazem. E também a guerra das audiências que tem a ver com esse consumo instantâneo. Tudo é medido nessa lógica, inclusive o sucesso. Há pessoas/projectos que podem ter muito valor e muitas vezes não lhes é dado sequer oportunidade de se desenvolverem porque é tudo demasiado rápido. Outro aspecto muito negativo é a tirania do mito da eterna juventude, que é ainda mais penoso para as mulheres. Aliás, o mundo é particularmente cruel para as mulheres porque as obriga a estarem numa constante competição, porque têm que ser muito boas em tudo, na profissão, como mães, donas de casa e ainda parecer sempre belas, sendo que a beleza está hoje sempre associada à juventude. Mesmo os homens são afectados por esses padrões de beleza. A eterna juventude é uma das desgraças do mundo moderno, uma praga que nos rogaram. (risos)


FH: Qual o melhor conselho que recebeu até hoje?
JAT: Todos os que me fizeram acreditar que estava no bom caminho e me deram força para continuar. Relativamente aquela luta pessoal contra a timidez e introspecção, os conselhos que os meus pais me deram para as ultrapassar e não passar por arrogante e mal educado. Parece uma ‘ninharia’ mas na verdade só quem me conhece desde adolescente e jovem pode avaliar a dimensão. Nem sempre os conselhos são bem aceites nem eficazes, mas o tempo… ajuda a ver mais claro.

FH: Qual o maior risco que cometeu na vida?
JAT: A profissão que escolhi.

FH: E o seu maior arrependimento?
JAT: A ideia de que não nos devemos arrepender de nada e que tudo faz parte de uma aprendizagem, é pura ficção. Há muita coisa que não precisava de ter feito se estivesse na posse dos dados todos. A nível profissional por exemplo, desenvolvemos alguns projectos, nos quais depositámos as maiores expectativas e que depois se revelaram muito negativos. É claro que passaria perfeitamente sem essas experiências.

FH: Que livro, poema, música ou quadro o inspiraram ou lhe mudaram a sua perspectiva de vida?
JAT: Não sei se mudaram a minha perspectiva de vida, porque isso me parece demasiado forte, mas, há muita coisa de que gosto muito e me inspira, nomeadamente, na pintura, do renascimento aos finais do séc. XIX. Sou muito pouco séc. XX e há pouca coisa contemporânea que goste. Gosto muito dos pintores italianos do Renascimento, da pintura Holandesa do séc. XVII, da pintura inglesa do séc XVIII, pintura simbolista dos finais do séc. XIX. Na música é ainda mais difícil escolher, mas, apesar de adorar Vivaldi, Händel e quase todos os barrocos italianos, tenho que referir Bach como o que se aproxima mais dessa capacidade de mudar a vida de alguém. É de facto enorme e faz-nos sentir mesmo muito pequeninos.



FH: Qual a sua memória de infância mais antiga?
JAT: Tenho uma péssima memória de infância, e a que tenho confunde-se muito com o que me contaram ou com a memória a partir de fotografia. Tenho por exemplo a noção perfeita do meu quarto ser verde-garrafa, mas, aí já devia ter sete anos. E lembro-me de ter sempre um papel muito activo na escolha do que vestir. Lembro-me de ter para aí 8 anos e querer umas calças de bombazina vermelhas, com as quais fui brincar para o quintal e as rasguei logo no dia em que as vesti. E lembro-me de ir regar o jardim de calças brancas… essas pequenas coisas (risos).

FH: Qual a atitude mais romântica que teve até hoje?
JAT: São tantas… (risos). No meu trabalho é muito fácil detectar muitas colecções que têm uma perspectiva muito romântica. A do Verão 2002, a tal inspirada nas ‘Ligações Perigosas’ que referi há pouco é um dos melhores exemplos desse imaginário profusamente romântico. As peças tinham muitos bordados com mensagens de amor, medalhões com imagens das amadas ou dos amados, cartinhas a saírem dos bolsos e dos punhos. É na verdade uma perspectiva muito romântica que continuo a ter no meu trabalho, às vezes até nas músicas que escolho para os desfiles. O mais recente e flagrante exemplo é o primeiro perfume JAT, “Amor Perfeito”.


FH: Se pudesse mudar uma só coisa no mundo o que seria?
JAT: Sei que isto vai soar totalmente a lugar comum, mas a uma pergunta dessas é incontornável responder que acabaria com a fome e a miséria. A informação actual dá-nos a possibilidade de vermos um mundo cada vez mais desigual. É chocante o nível a que chegam determinados cachets que dariam para vacinar as crianças de um continente inteiro. Independentemente do valor que as pessoas têm acho imoral que se ganhem quantias tais que assegurariam a sobrevivência de milhares de pessoas. Mas também aqui estou a ter uma perspectiva romântica da situação, claro. No fundo tudo se resume à existência ou não, de vontade política para acabar com situações muito degradantes que só nos envergonham a todos. E nem sempre é fácil pensar deste modo e continuar a exercer a profissão que tenho e centrado na minha vida e nos meus problemas..

FH: Tem um lema de vida?
JAT: A nível do meu microcosmo é viver cada vez mais com o mínimo de stress possível e dar importância às coisas que são realmente importantes.

FH: Onde quer estar daqui a 20 anos?
JAT: Daqui a 20 anos espero estar reformado com casa no Alentejo à beira-mar. Dava-me um certo jeito gozar a minha reforma com todas as minhas faculdades (risos).


Texto: Paula Lamares
Fotografia: Joao Lamares

Visite também: http://www.joseantoniotenente.com/

JOSE ANTONIO TENENTE by Fashion Heroines



It was a Perfect morning for a talk with one of the Fashion Heroines’ Lovers into the Portuguese fashion. The sea that he loves so much was a mirror and the beach was the bottom pluperfect of our trip to the studio, in Cascais, of a big name in the Portuguese Fashion World.




Jose Antonio Tenente received us with his natural kindness and charm (he told us he was shy but we gave it for nothing). It was two "short" hours of an interesting talk that took us to the designer’s universe, childhood recalls (few), his professional career and personal concepts of life, inspirations and aspirations ... among many other topics.

Adapted from "Proust Questionnaire" here's the interview with Jose Antonio Tenente, the pulp of a fruitful conversation with the lucky editor of Fashion Heroines.


FASHION HEROINE: What is your current "State of Mind"?

JOSE ANTONIO TENENTE: Right now some tiredness, but always positive.

FH: Where and when do you feel happy?
JAT: In the beach.

FH: What is your greatest fear?
JAT: It isn’t something that haunts me, I don’t live obsessed with it, but losing faculties of the mind is a fear.

FH: What makes you laugh?
JAT: A lot. I love to laugh and have fun. The advertising makes me laugh and some series of humor too. Just as talks between friends. Not too hard to make me laugh.

FH: What historical figure you most identify with?
JAT: This is hard! There may be some historical figures who occasionally I can admire, but I do not identify myself with any in particular.

FH: What do you consider to be the best invention of all time?
JAT: It's hard to resist saying it was the internet. "Googler" is part of our daily routines.

FH: What fault you hate most in others?
JAT: I cannot stand bad manners.

FH: What is your greatest extravagance?
JAT: Not doing what I don’t feel like.

FH: What is the occasion where you usually lie?
JAT: No claims usually I don’t lie. Maybe some white lies that are invented when we were late to give an answer and we have to justify it.

FH: If you could change one thing about yourself what would it be?
JAT: In physical terms a lot, and without having to go to the gym (laughs). The most complicated characteristics of my own I have already been changing a lot and it is my shyness. It was one of the good things that my work has brought me. It forced me to adapt myself to a certain record of exposure and I had to learn to deal with it. But still I would like to eradicated completely this side of me.

FH: Where would you like to live?
JAT: I love Lisbon, but there is another city where I would not mind to live that is Paris, and not because of fashion. On the other hand, I could live perfectly in Alentejo’s coast, beside the beach.

FH: What is the quality that most inspires you in a woman?
JAT: In a woman or in a man it’s always the truth, honesty, fairness, these very basic principles that have to do with education. The outer level is something that belongs to the natural elegance that is not too built or what we can see in a magazine cover, that does not inspire me at all.

FH: What is the car of your life?
JAT: I have no license ever (laughs). But for me it's the Citroen DS "mouth-to-frog." It's beautiful!

FH: What do you consider your major achievement in life?
JAT: I am proud to have built this career in a country that isn’t easy to artistic activities, with no tradition in fashion design. If we go back to the mid-80s, in Portugal, when I started, Ana Salazar was the only example of a fashion designer. In a more personal level it was a feat to have come so far since I started. When I started I didn’t realize at all what it was being a fashion designer, and the public exposure that it would cause, If I could know perhaps I hadn’t dared. I considered that my work was enough, but over the years I realized that I had to change that attitude and that it was necessary to disclose it, appear, and give interviews to promote the products. Because of my shyness it was a hard struggle, and in the beginning of my career, not a few times, I seemed to be a kind of rude and arrogant because of my timidity. I confess I do not think much of it, and might never have addressed this issue of the 'great achievement', but in fact now that you force me do it (laughs) I think it was a personal victory that I have learned to deal with the public exposure to naturalness.

FH: What is the greatest treasure you have?
JAT: My principles.



FH: What is for you the deepest misery?
JAT: Excluding the material plane in which poverty should not exist obviously, I think that happen when a person is completely lost, oblivious to one direction, not knowing what to do with our life, to get caught up in addictions. This condition can actually lead to a status of 'poverty'. That’s really a shame because there are people with incredible potential who are lost.



FH: What are your heroes in real life?
JAT: The common citizen. People who earn little, who have difficult lives, they rise at five in the morning, crossing the city to go to work, they have many children to care, and still manage to be happy.

FH: And in the comics which is your hero?
JAT: Asterix

FH: A figure who inspires you?
JAT: So many ... I remember that in my work I had started several collections inspired from historical figures, composers ... The winter 2006.07 we worked an universe of images linked to Joan of Arc. In summer 2002 we were inspired by the epistolary novel of Choderlos de Laclos, Dangerous Liaisons (1782), particularly in the love triangle between the Marquise of Merteuil, The Viscount of Valmont and Madame de Tourvel. They are just a few examples, among many others, of characters who directly inspired my work

FH: What do you dislike the most in contemporary culture?
JAT: The easy consumption, its speed and greediness that lead to those who do not truly enjoy what others do. And also the war of audience’s rating related with this instantaneous consumption. Everything is measured in this logic, including success. There are people / projects that may have great value and often it wasn't given to them even the opportunity to develop because it is all too fast. Another very negative aspect of our Era is the tyranny of the myth of eternal youth, which is even more painful for women. Indeed, the world is particularly cruel to women because it requires that women must be in a constant competition. They have to be very good in all matters: in their careers, as mothers, housewives and still look beautiful forever, and nowadays beauty is always associated with youth. Even men are affected by these standards of beauty. The eternal youth is one of the misfortunes of the modern world, a truly curse (Laughs).

FH: What is the best advice you had received ever ?
JAT: All these advices which made me believe I was on track and gave me the strength to continue. For that personal struggle against shyness and introspection, the advice my parents gave me to overcome these negative characteristics that in some way made me seemed arrogant and with bad manners. Looks like a 'pittance' but in fact only those who know me from a teenager and  as a young person can evaluate the dimension. Advices are not always well accepted or effective, but time ... helps you see clearer.

FH: What was the biggest risk you committed in life?
JAT: The career I chose.

FH: And your biggest regret?
JAT: The idea that we should not regret anything and that's all part of learning, is pure fiction. There is much that you don’t need to do if you were in possession of all data. In a professional level, for example, we had developed some projects in which we had placed higher expectations and then they proved to be too negative. Of course I could go perfectly well without these experiences.

FH: Which book, poem, song or picture inspired you or changed your outlook on life?
JAT: I'm not sure if they changed my perspective on life, because it seems to me too strong, but there are many things that taste great and inspire me, especially in painting, the Renaissance to the end of the Nineteenth Century. I'm not a Twentieth Century person in what artistic matters it concerns, and there is little contemporary art which I like. I really like the Italian painters of the Renaissance, Dutch painting of the Seventeenth-century, the eighteenth-century English painting, symbolist painting of the late Nineteenth-century. In music is even more difficult to choose, but even though I love Vivaldi, Handel and almost all Italian baroque, I have to mention Bach as the one closer to this ability to change someone's life. It is indeed huge and makes us feel very, very tiny.

FH: What is your earliest childhood memory?
JAT: I have a bad childhood memory, and I got very confused with what it was told or what it was only memories from photos. I have such a perfect notion of my room to be bottle-green, I think I was seven years. And I remember always having a very active role in choosing what to wear. I remember when I was about eight years old and I wanted so much a red corduroy pants, with which I went into the backyard to play, and I ripped the pants at the very day I wore them. I also remember to go watering the garden in white trousers ... those funny little things (laughs).

FH: What was your most romantic attitude?
JAT: So many ... (laughs). In my work it is very easy to detect many collections which have a very romantic point of view. In summer 2002, I was inspired by this 'Dangerous Liaisons' that I mentioned above. This is one of the best examples of this lavishly romantic imagination. The pieces were embroidered with many messages of love, medallions with images of each lover, letters to come out of the pockets and cuffs. It's actually a very romantic view that I still have in my work, even in the songs I chose for the catwalks. The most recent and glaring example is the first perfume of JAT, Perfect Love.



FH: If you could change one thing in the world what would it be?
JAT: I know this will sound completely cliché, but with a question like this I am compelling to answer that I would like to end the hunger and misery. Global information gives us the chance to see an increasingly unequal world. It is shocking the level at which certain cachets were achieved, which amount would be enough to buy vaccination for the children of an entire continent. Regardless of the value of whom earn these money I think it’s immoral if they earn such amounts that would ensure the survival of thousands of people. But maybe I’m also here a romantic view of the situation. In the end, everything boils down to whether or not political will to end with these very degrading situations that only shame us all. And it is not always easy to think this way and continue with my work focused in my life and my problems…

FH: Have you a motto?
JAT: In my microcosm’s level it is to enjoy life with minimal stress as possible and give importance to things that are really important.



FH: Where do you want to be in 20 years?
JAT: In 20 years I hope to be retired, living in Alentejo (South Portugal) with a house at the seaside. It would give me a certain pleasure to enjoy my retirement with all my faculties (laughs).


Text: Paula Lamares
Photography: Joao Lamares

Visit also: http://www.joseantoniotenente.com/

Nurses Day

The World Honors Nurses By Celebrating Nurses Day


The National Nurses day is usually celebrated around the world on May 6.
It is a one week celebration that starts from the 6th day of the month of May and ends on the 12th, which is also the birth date of Florence Nightingale.

It has been celebrated by the International Council of Nurses since 1965 but the history of the Nurses Day can be hunted down in 1953. An official of the U.S. Department of Health, Education and Welfare Dorothy Sutherland proposed to President Eisenhower to proclaim a “Nurses day” but eventually he didn’t approve it.

In 1974, the decision was made to celebrate the day on May 12 as also to commemorate the birth of Florence Nightingale, who is known as the founder of Modern Nursing. In 1981, nurses in New Mexico started a resolution that on May 6 would be announced as the “National Recognition Day for Nurses”.



The ANA Board of Directors encouraged this proposal and in 1982, the United States Congress assigned May 6 to be the “National Recognition Day for Nurses”. Eventually it was then expanded to a week-long celebration.

National Student Nurses Day was designated to celebrate annually on May 8th and as of 2003, the National School Nurse day has been declared by the ANA to celebrate on Wednesday within National Nurses Week each year.

Every year a kit is being distributed by the International Council of Nurses which is called as the International Nurses’ Day Kit. It contains materials that can be used by nurses everywhere they go.

Nurses Day

The World Honors Nurses By Celebrating Nurses Day


The National Nurses day is usually celebrated around the world on May 6.
It is a one week celebration that starts from the 6th day of the month of May and ends on the 12th, which is also the birth date of Florence Nightingale.

It has been celebrated by the International Council of Nurses since 1965 but the history of the Nurses Day can be hunted down in 1953. An official of the U.S. Department of Health, Education and Welfare Dorothy Sutherland proposed to President Eisenhower to proclaim a “Nurses day” but eventually he didn’t approve it.

In 1974, the decision was made to celebrate the day on May 12 as also to commemorate the birth of Florence Nightingale, who is known as the founder of Modern Nursing. In 1981, nurses in New Mexico started a resolution that on May 6 would be announced as the “National Recognition Day for Nurses”.



The ANA Board of Directors encouraged this proposal and in 1982, the United States Congress assigned May 6 to be the “National Recognition Day for Nurses”. Eventually it was then expanded to a week-long celebration.

National Student Nurses Day was designated to celebrate annually on May 8th and as of 2003, the National School Nurse day has been declared by the ANA to celebrate on Wednesday within National Nurses Week each year.

Every year a kit is being distributed by the International Council of Nurses which is called as the International Nurses’ Day Kit. It contains materials that can be used by nurses everywhere they go.

Nurses Day

The World Honors Nurses By Celebrating Nurses Day


The National Nurses day is usually celebrated around the world on May 6.
It is a one week celebration that starts from the 6th day of the month of May and ends on the 12th, which is also the birth date of Florence Nightingale.

It has been celebrated by the International Council of Nurses since 1965 but the history of the Nurses Day can be hunted down in 1953. An official of the U.S. Department of Health, Education and Welfare Dorothy Sutherland proposed to President Eisenhower to proclaim a “Nurses day” but eventually he didn’t approve it.

In 1974, the decision was made to celebrate the day on May 12 as also to commemorate the birth of Florence Nightingale, who is known as the founder of Modern Nursing. In 1981, nurses in New Mexico started a resolution that on May 6 would be announced as the “National Recognition Day for Nurses”.



The ANA Board of Directors encouraged this proposal and in 1982, the United States Congress assigned May 6 to be the “National Recognition Day for Nurses”. Eventually it was then expanded to a week-long celebration.

National Student Nurses Day was designated to celebrate annually on May 8th and as of 2003, the National School Nurse day has been declared by the ANA to celebrate on Wednesday within National Nurses Week each year.

Every year a kit is being distributed by the International Council of Nurses which is called as the International Nurses’ Day Kit. It contains materials that can be used by nurses everywhere they go.

Wednesday, May 5, 2010

FIVE MINUTES NON-FICTION: I LOVE MY BIKE!

Today a non-ficcional story...



My first bicycle it wasn’t really mine, but it was borrowed by a neighbour who had a shop and sold second hand bicycles. I was about five years old and I could ride one since I was three. But just then I had a bike just for me. So my first bike was the beginning of my personal revolution. Then I could go everywhere and all the streets are my new playground. At that time children could play in the streets and we wanted to. There wasn’t computers neither playstations… we all lived on the streets waiting our parents come back to the work, and we were truly the happiest children of the world. We thought so!



In my grandmother’s street since I had my own bike I took a high category in the children rating. So I took the street and its warriors for the speed, and the possession of a bike which was faster and bigger than the others. It was my first social lesson too.



Since I was a very important people in the street’s playground, I got many new friends, children of my age and bigger came from the neighborhoods to share their marbles or their sweets for a ride on my bike. I took the chance and in a short time I was the child who has not only the best bike but the bigger number of marbles, and the marbles’ play it was a very important children business at that time. It was my second social lesson: Friends and marbles grow in proportion of our bike’s speed.

Between children street’s business were not fare nor gracious, if you had something to share, bread, a cake or a ball, everything went right, but if you had a fantastic bike you could be a king. At that time and for a while I was a really princess with velvet pants made with old curtains’ fabric which my grandmother found somewhere.



Next year I went to school and my father gave me a second hand bicycle, not so good as the one my neighbor borrowed me, but great. I loved it at first sight, its orange and black iron structure, too heavy but strong enough almost relentless. I had that bike for four years. One day I sold it to buy my first pair of imported jeans from England and the entire collection of Proust’s books “À la Recherche du Temps Perdu” and some books of Portuguese writers because I wanted to be a writer but I had no books in my grandmother’s home. But I wanted to be a stylish writer and I always was looking for different clothes that my best friend’s mother brought me from London where she worked and lived. I was eleven years old and I dreamed a lot.



Some years ago I worked in holidays to buy a new bike as the pair of jeans number two, three, four… but nothing like the first bike that made me the princess of the streets and the first jeans embroidered on the top as used to in London in the 70’s which made me the most stylish teenager of the little town in South Portugal. 


Text by Paula Lamares for Fashion Heroines



ernie harwell

Ernie Harwell: Long gone, never forgotten

The Ernie Harwell died Tuesday night, ending his battle with cancer at the age of 92, but his voice and spirit will live on forever in the ears and minds of many.

Tears were shed in the press box at Joe Louis Arena while the Red Wings were playing the San Jose Sharks when the news spread. As cynical and callous as reporters can be, this story was tough to treat as it was just another death because Harwell treated anyone he ever met like a friend.

Yours truly was one of the lucky ones.

I'll miss Harwell's greeting "HELLO! Larry!" on the phone and in person and hearing him say "Phi Alpha!" in a nod to our brotherhood in the Sigma Alpha Epsilon fraternity.

My first vivid memory of Harwell other than listening to him call Detroit Tigers games on the radio growing up in Ann Arbor, Mich. was during the mid-1990s at Tiger Stadium.

Harwell, actor Jeff Daniels, writer Jack Ebling, whom I worked with at the Lansing State Journal, and I spent about 15 minutes shooting the breeze behind the backstop while Ken Griffey Jr. was hitting homers during the Seattle Mariners' batting practice.

It was one of the coolest moments of my life.

Like no one could, Harwell compared Griffey's talents with Willie Mays in one breath and the next, he talked about playing cards with Jackie Robinson on road trips with the Brooklyn Dodgers.

Harwell barely knew me back then when I was making $25 an article as a freelance writer but he gave me genuine respect as if I was an important member of the media or society. As I got to know him better, I found out he was like that with everyone.

The true test of people is how they treat someone who can do nothing for them and Harwell passed that measure of a human being better than anybody. Harwell greeted everyone the same rich or poor, young or old, famous or unknown and that made his legend grow beyond the borders of the state he loved and the sport he adored.

Getting to know him away from crowds was simply special.

Spending time with him and his beloved wife, Lulu, at their rented home in Lakeland, Fla., at their previous house in suburban Detroit where her roses were breathtaking or their apartment at a posh retirement center was simply priceless.

When he announced in February 2002 that season would be his last in the broadcast booth, I bought him a Motown baseball cap from the new terminal at Detroit's airport and was tickled every time he wore it. Harwell, though, gave me more intangible gifts than I ever could've given him.

On Monday, Nov. 30, 2009 less than two months after he announced he had inoperable cancer Harwell agreed to let me pay him a visit. He didn't want a story written that day, growing tired of the hype that surrounded his declining health, and I was OK with that because I welcomed another opportunity to spend time with him.

Harwell looked and sounded really good on that afternoon, saying he was wasn't in pain and was unafraid of dying. He asked about my family and job as he always did and prayed with me for the first time, a surreal few minutes I'll never forget.

His health deteriorated so much recently that he needed around-the-clock care and the months he had to live dwindled to days.

Even though all knew this day would come and no one was more prepared than Harwell Michigan is melancholy at best. It's sad to lose a once-in-a-lifetime icon such as Harwell, but strangers and friends alike should be glad he's at peace.
 

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